The drag studio in a tin shed outside Muswellbrook, New South Wales, is unlike any other. Inside, dozens of wigs and flamboyant outfits hang from the walls, the creations of Beverly Fabulosity. Photographer Damien Frost stepped into this vibrant world, saying, “I’ve never seen anything like it. It was a very Priscilla scenario.”
Frost, who grew up in Australia and now resides in London, has been in his home country since late August. Commissioned by Newcastle’s New Annual festival, he has captured the essence of night owls across the city, blending his past work with fresh portraits for the exhibition at Watt Space gallery. This collection includes pieces from his acclaimed Night Flowers series, which has chronicled the lives of drag queens and club kids for over a decade.
The New Annual festival, which runs through October, has positioned itself as a celebration of local and international talent. Frost's photography offers a glimpse into the nightlife and culture that thrives in Newcastle. Each portrait reveals a story, a character, and an environment that resonates with the energy of the city.
Frost’s ability to create stunning visuals in unconventional settings sets him apart. His work often leads viewers to believe he is working within the confines of a studio, rather than capturing the spontaneous spirit of a nightclub or a goat field. The juxtaposition of his subjects against casual or rural backdrops adds a layer of intrigue to his photographs.
As he continues to explore Newcastle, Frost’s journey reflects a broader narrative about Australian drag culture. The influence of icons like Priscilla, Queen of the Desert is palpable, connecting the rural landscapes of New South Wales to the vibrant nightlife of urban Australia.
The New Annual festival is not just an exhibition but a platform that amplifies voices from the LGBTQ+ community. Frost’s work aligns with this mission, showcasing the diversity and creativity that defines the drag scene. His portraits do more than capture faces; they encapsulate moments of authenticity and self-expression.
Frost’s time at the farm in Gungal exemplifies his commitment to portraying his subjects in their truest forms. The studio, filled with wigs and costumes, is a reflection of the drag community’s rich history and creativity. The portraits he creates become vehicles for storytelling, inviting the audience to engage with the personalities behind the makeup.
Watt Space gallery, known for its support of emerging artists and innovative exhibitions, has embraced Frost’s work, providing a fitting backdrop for this celebration of drag culture. The gallery has hosted various shows that challenge traditional notions of art and identity, and Frost’s portraits further this dialogue.
The festival has drawn attention not only for its artistic offerings but also for its role in fostering a sense of community among artists and audiences alike. Visitors to the exhibition can expect to see not only Frost’s latest work but also selections from his extensive archive, offering a view into the evolution of drag photography over the years.
As Newcastle continues to grow as a cultural hub, events like the New Annual festival play a significant role in highlighting local talent. Frost’s photographs are a testament to the vibrant lives of those who inhabit the city’s nightlife. Each image invites viewers to step into the world of drag, revealing the artistry and dedication that goes into every performance.
The festival runs until the end of October, giving audiences a chance to engage with Frost's work and the broader narrative of drag culture in Australia. The portraits are more than just images; they are a celebration of identity, creativity, and the power of self-expression. Frost’s lens captures not just the surface but the essence of those who dare to live their truth.
According to The Guardian.
