Ghanaian rapper Kwame Yogot has ignited a firestorm with a scathing Facebook post targeting dancehall star Stonebwoy.
In a provocative rant, Yogot wrote,
“Until you people learn to appreciate, your superstar will forever remain underground because he’s nobody if the King doesn’t talk about him and this particular show is a clear example… I expect Bhim to go pay his dues to the King.”
Many interpret “the King” as a reference to Stonebwoy’s rival, Shatta Wale, given their long-standing feud.
Yogot’s comments dismiss Stonebwoy’s global achievements, including his 2015 BET Award and hits like “Jejereje,” suggesting his stardom hinges on Shatta Wale’s attention.
The post has sparked outrage among Bhim Nation fans, with one fuming, “Stonebwoy’s success speaks louder than Yogot’s clout-chasing nonsense!” Others, however, argue local validation trumps international acclaim.
Analysts see Yogot’s outburst as a desperate bid for relevance, given his fading momentum since the 2021 hit “Biibi Besi.” Stonebwoy has remained silent, letting his music do the talking, while the controversy reignites tensions between Bhim Nation and Shatta Movement fans.
Yogot’s attack underscores the cutthroat rivalries in Ghana’s music scene, raising questions about what defines true superstardom—global impact or local clout? While it may boost Yogot’s visibility, it risks alienating fans and peers in an already polarized industry.
