In February 2020, Netflix brought some of Nollywood’s biggest names together at an event in Lagos. The streaming giant announced “Netflix Naija” and promised to invest in Nigerian original films and series. For an industry that had grown up on home video and later moved into cinemas, it was a moment of great excitement. In the years that followed, Nigerian titles reached audiences around the world, though the relationship between Netflix and Nollywood also faced challenges.
The launch and first series
The Lagos event featured actors, directors and producers, and Netflix announced partnerships with Nigerian creators. It signalled that the company saw Nigeria as a key market. Netflix had already acquired Nigerian films such as Lionheart, directed by Genevieve Nnaji, which became its first Nigerian original film in 2018. King of Boys: The Return of the King, directed by Kemi Adetiba, premiered in 2021 as one of the first Nigerian original series on the platform.

Blood Sisters, produced by EbonyLife and released in 2022, was another original series that attracted international viewers.
Opportunities and challenges
Nigerian films such as Anikulapo, Citation and others reached global top-ten lists on Netflix. The partnership gave Nigerian filmmakers bigger budgets, international exposure and new standards of production. Some filmmakers raised concerns about the terms of licensing deals and the pressure to produce content that appeals to a global audience. Other streaming services, including Amazon Prime Video and Showmax, also invested in Nigerian content.
In later years, Netflix adjusted its spending in Africa, and some producers reported fewer commissions. Actors such as Sola Sobowale and directors such as Kemi Adetiba gained global recognition through Netflix releases.
The future and pricing
The industry continues to debate how to balance streaming deals with cinema releases and local audiences. Netflix offered many Nigerian titles with subtitles and some with dubbed audio in other languages, helping films in Yoruba and Pidgin reach viewers who had never heard those languages before. Netflix introduced pricing aimed at the Nigerian market, though the cost of data and subscriptions remained a barrier for many viewers.
Nollywood began with films sold on cassettes in markets. Its biggest names now refresh streaming charts to see how their films are doing in Brazil and India.








